Hvem daterede Warren Beatty?

Henry Warren Beaty (født 30. marts 1937) er en amerikansk skuespiller, producer, manuskriptforfatter og filminstruktør.

Sammen med søsteren Shirley MacLaine, begyndte Beatty som barneskuespiller i sin mors amatørteater. I 1961 fik han sin filmdebut med Feber i blodet (Splendor in the Grass). Hans gode udseende og dragende personlighed appellerede til tidens ungdom, men efter debuten søgte han bevidst væk fra indlysende roller for at spille mere komplekse karakterer. Hans popularitet og stjernestatus blev cementeret med hovedrollen i Arthur Penns Bonnie og Clyde (1967), der samtidig var den første film, som Beatty selv producerede.

I 1978 instruerede han sin første film, Himlen må vente (Heaven Can Wait), der blev nomineret til en oscar for bedste film. I 1981 vandt han en oscar for bedste instruktør for sin anden film Reds, hvor han også spillede hovedrollen som den amerikanske journalist og kommunist, John Reed. Derudover har han instrueret Dick Tracy (1990) og Bullworth (1998).

Uden for filmlærredet har han haft et ry som playboy i kraft af affærer med flere af filmverdenens smukkeste skuespillerinder. I 1992 blev han gift med Annette Bening. Han har desuden været involveret i politik, blandt andet i forbindelse med valgkampagner for flere demokratiske præsidentkandidater, første gang i 1968 for Robert F. Kennedy.

Isabelle Yasmine Adjani (born 27 June 1955) is a French actress and singer, known for portraying tragic and emotionally complex characters across various genres, particularly psychological films. She has received various accolades, including five César Awards and a Lumière Award, along with nominations for two Academy Awards. Adjani was made a Chevalier of the Légion d'honneur in 2010 and a Commandeur of the Ordre des Arts et des Lettres in 2014.

Adjani has won a record five Césars for Best Actress for Possession (1981), One Deadly Summer (1983), Camille Claudel (1988), La Reine Margot (1994), and La Journée de la jupe (2009). Her other César-nominated roles were in The Story of Adèle H. (1975), Barocco (1976), Subway (1985), and The World Is Yours (2018). Other notable films include The Slap (1974), The Tenant (1976), The Driver (1978), Nosferatu the Vampyre (1979), All Fired Up (1982), Deadly Circuit (1983), Ishtar (1987), Diabolique (1996), Adolphe (2002), Bon voyage (2003), French Women (2014), and Peter von Kant (2022).

Adjani came to international prominence for her portrayal of Adèle Hugo in The Story of Adele H., for which she was nominated for the Academy Award for Best Actress at age 20, becoming the youngest nominee in the category at the time. She later collected a second Best Actress nomination for portraying Camille Claudel in Camille Claudel, thus becoming the first French actress to receive two Academy Award nominations for foreign-language films. Adjani also won the Cannes Film Festival's Best Actress Award for her performances in Possession and Quartet (1981), which makes her the only actress to win a joint award for two films in the same competition slate, and the Berlinale's Silver Bear for Best Actress for Camille Claudel.

Constance Money (born Susan Jensen; November 30, 1956) is an American former adult film actress. She played the lead role of Misty Beethoven in the 1976 adult classic The Opening of Misty Beethoven.

Leslie Claire Margaret Caron (French: [lɛsli kaʁɔ̃]; born 1 July 1931) is a French and American former actress and dancer. She is the recipient of a Golden Globe Award, two BAFTA Awards and a Primetime Emmy Award, in addition to nominations for two Academy Awards.

Caron began her career as a ballerina. She made her film debut in the musical An American in Paris (1951), followed by roles in The Man with a Cloak (1951), Glory Alley (1952) and The Story of Three Loves (1953), before her role of an orphan in Lili (also 1953), which earned her the BAFTA Award for Best Foreign Actress and garnered nominations for an Academy Award and a Golden Globe Award.

As a leading lady, Caron starred in films such as The Glass Slipper (1955), Daddy Long Legs (1955), Gigi (1958), Fanny (1961), Guns of Darkness (1962), The L-Shaped Room (1962), Father Goose (1964) and A Very Special Favor (1965). For her role as a single pregnant woman in The L-Shaped Room, Caron, in addition to receiving a second Academy Award nomination, she won the Golden Globe Award for Best Actress in a Motion Picture – Drama and a second BAFTA Award.

Caron's other roles include Is Paris Burning? (1966), The Man Who Loved Women (1977), Valentino (1977), Damage (1992), Funny Bones (1995), Chocolat (2000) and Le Divorce (2003). In 2007, she won the Primetime Emmy Award for Outstanding Guest Actress in a Drama Series for portraying heiress and rape victim, Lorraine Delmas, in Law & Order: Special Victims Unit.

Maya Mikhailovna Plisetskaya (Russian: Майя Михайловна Плисецкая; 20 November 1925 – 2 May 2015) was a Soviet and Russian ballet dancer, choreographer, ballet director, and actress. In post-Soviet times, she held both Lithuanian and Spanish citizenship. She danced during the Soviet era at the Bolshoi Theatre under the directorships of Leonid Lavrovsky, then of Yury Grigorovich; later she moved into direct confrontation with him. In 1960, when famed Russian ballerina Galina Ulanova retired, Plisetskaya became prima ballerina assoluta of the company.

Her early years were marked by political repression and loss. Her father, Mikhail Plisetski, a Soviet official, was arrested in 1937 and executed in 1938, during the Great Purge. Her mother, theater and silent film actress Rachel Messerer, was arrested in 1938 and imprisoned for a few years, then held in a concentration camp together with her infant son, Azari. The older children were faced with the threat of being put in an orphanage but were cared for by maternal relatives. Maya was adopted by their aunt Sulamith Messerer, and Alexander was taken into the family of their uncle Asaf Messerer; both Alexander and Azary eventually became solo dancers of the Bolshoi.

Plisetskaya studied ballet at The Bolshoi Ballet School from age nine, and she first performed at the Bolshoi Theatre when she was eleven. She studied ballet under the direction of Elizaveta Gerdt and also her aunt, Sulamith Messerer. Graduating in 1943 at the age of eighteen, she joined the Bolshoi Ballet company, quickly rising to become their leading soloist. In 1959, during the Thaw Time, she started to tour outside the country with the Bolshoi, then on her own. Her fame as a national ballerina was used to project the Soviet Union's achievements during the Cold War. Premier Nikita Khrushchev considered her to be "not only the best ballerina in the Soviet Union, but the best in the world".

As an artist, Plisetskaya had an inexhaustible interest in new roles and dance styles, and she liked to experiment on stage. As a member of the Bolshoi until 1990, she had international exposure and her skills as a dancer changed the world of ballet. She set a higher standard for ballerinas, both in terms of technical brilliance and dramatic presence. As a soloist, Plisetskaya created a number of leading roles, including Juliet in Lavrovsky's Romeo and Juliet; Phrygia in Yakobson's Spartacus (1958); in Grigorovich's ballets : Mistress of the Copper Mountain in The Stone Flower (1959); Aurora in The Sleeping Beauty (1963); Mahmene Banu in The Legend of Love (1965); Alberto Alonso's Carmen Suite (1967), choreographed especially for her; and Maurice Béjart's Isadora (1976). Among her most acclaimed roles were Kitri in Don Quixote, Odette-Odile in Swan Lake, and The Dying Swan, first danced as a pre-graduate student under the guidance of Sulamith Messerer. A fellow dancer said that her dramatic portrayal of Carmen, reportedly her favorite role, "helped confirm her as a legend, and the ballet soon took its place as a landmark in the Bolshoi repertoire". Her husband, composer Rodion Shchedrin, wrote the scores to a number of her ballets.

Having become "an international superstar" and a continuous "box office hit throughout the world", Plisetskaya was treated by the Soviet Union as a favored cultural emissary. Although she toured extensively during the same years that other prominent dancers defected, including Rudolf Nureyev, Natalia Makarova, Alexander Godunov and Mikhail Baryshnikov, Plisetskaya always refused to defect. In 1991, she published her autobiography, I, Maya Plisetskaya.

Diane Keaton Hall (January 5, 1946 – October 11, 2025) was an American actress. Her career spanned more than five decades, during which she rose to prominence in the New Hollywood movement. She collaborated frequently with Woody Allen, appearing in eight of his films. Keaton's accolades include an Academy Award, a BAFTA Award, and two Golden Globe Awards, along with nominations for two Emmy Awards and a Tony Award. She was honored with the Film at Lincoln Center Gala Tribute in 2007 and the AFI Life Achievement Award in 2017.

Keaton's career began on stage, acting in the ensemble of the original Broadway production of the musical Hair (1968) and the romantic interest in Woody Allen's comic play, Play It Again, Sam (1969), the latter of which earned her a nomination for a Tony Award for Best Featured Actress in a Play. She made her screen debut with a small role in Lovers and Other Strangers (1970) before rising to prominence with her first major film role as Kay Adams in Francis Ford Coppola's The Godfather (1972), a role she reprised in the sequels Part II (1974) and Part III (1990). She frequently collaborated with Allen establishing herself as a comic actress acting in the film adaptation of Play It Again, Sam (1972) followed by Sleeper (1973), Love and Death (1975), and Annie Hall (1977). The latter won her the Academy Award for Best Actress.

Keaton was also Oscar-nominated for her roles as activist Louise Bryant in the historical epic Reds (1981), a leukemia patient in the family drama Marvin's Room (1996), and a dramatist in the romantic comedy Something's Gotta Give (2003). She was known for her roles in dramatic films such as Looking for Mr. Goodbar (1977), Interiors (1978), Shoot the Moon (1982), and Crimes of the Heart (1986), as well as comedic roles in Manhattan (1979), Baby Boom (1987), Father of the Bride (1991), its 1995 sequel, Manhattan Murder Mystery (1993), The First Wives Club (1996), The Family Stone (2005), Finding Dory (2016), Book Club (2018), and its 2023 sequel. As a filmmaker, she directed three films and a documentary, Heaven (1987).

On television, she portrayed Amelia Earhart in the TNT film Amelia Earhart: The Final Flight (1994), which earned her nominations for the Primetime Emmy Award, Golden Globe Award, and Screen Actors Guild Award, and later a nun in the HBO limited series The Young Pope (2016). Keaton was also known for her distinct style and was often labeled a fashion icon and wrote four books, including her memoir Then Again (2011).

For alternative betydninger, se Madonna. (Se også artikler, som begynder med Madonna)

Madonna Louise Ciccone, kendt som Madonna, (født 16. august 1958 i Bay City, Michigan, USA) er en amerikansk sangerinde, sangskriver, skuespillerinde og forretningskvinde. Hun blev kendt ved at gå over grænsen i sine sangtekster og musikvideoer, som blev populære på MTV. Madonna er også kendt for at forny sit image og musikstil.

Madonna er rent kommercielt en af de mest succesrige kunstnere i popmusikkens historie. Den amerikanske pladebranche anfører hende som den bedst sælgende kvindelige rockstjerne i det tyvende århundrede og som den kvindelige kunstner i USA, som har solgt næstflest album med 63 millioner og over 200 millioner album på verdensplan. I 2007 udnævnte Guinness Rekordbog hende til den mest succesfulde kvindelige pladekunstner nogensinde, og hun blev optaget i Rock and Roll Hall of Fame det følgende år.